AWARDING OSCAR by Pam North You either love them or you hate them, but chances are you watch them - the Oscars. It's the annual glittering spectacle we all love to hate. The 76th Annual Academy Awards Ceremony, held last Sunday, presented many of the distinctive gold statuettes to talented celebrities and film industry individuals, among whom were Charlize Theron (Best Actress), Sean Penn (Best Actor), Renee Zellweger (Best Supporting Actress), and Tim Robbins (Best Supporting Actor). Lord of the Oscars this year was "Lord of the Rings," which won for Best Picture and an assortment of about ten other categories. Those gold statuettes go way back. The Academy of Motion Picture Arts and Sciences was organized in 1927, and shortly thereafter a dinner was held in the Crystal Ballroom of downtown Los Angeles' Biltmore Hotel to discuss methods of honoring outstanding achievements, with the goal of encouraging higher levels of quality in all facets of motion picture production. A major focus was the idea to create a trophy that would symbolize the recognition of film achievement. A unique statuette was designed by MGM art director Cedric Gibbons - the figure of a knight, hands gripping a sword, standing on a reel of film. Los Angeles sculptor George Stanley was commissioned to make it a reality, and the Academy's world-renowned statuette was born. The fifteen statuettes presented at the initial ceremonies in 1929 (attendance was 250 and tickets cost $10) were solid bronze, plated in gold. Within a few years, the bronze was abandoned in favor of a metal alloy called britannium, which had properties that made it easier to give the figures their smooth gold finish. The metals shortage during the World War II years resulted in the statuettes being made of plaster in that period, but following the war, all of the awarded plaster figures were redeemed for gold-plated metal ones. Oscar's height is 13 1/2 inches tall, and his weight is a hefty 8 1/2 pounds. His design hasn't been altered since his original creation, except for the extension of the height of the pedestal in 1945. From 1928 to 1945, the base was Belgian black marble; from 1945 to the present, the base has been metal. Officially named the Academy Award of Merit, the statuette is better known by a nickname, Oscar, the origin of which is derived from a popular story that an Academy librarian and eventual director, Margaret Herrick, remarked that she thought it resembled her Uncle Oscar, and the Academy supposedly began referring to it internally as Oscar. In 1934, at the time of the sixth Awards presentation, Hollywood columnist Sidney Skolsky used the name in his column in reference to Katharine Hepburn's first Best Actress win. The Academy itself didn't use the nickname publicly until 1939. How many statuettes will actually be handed out at the annual Awards ceremony is a big question for the Academy until the envelopes are opened on Oscar Night. Although the number of categories and special awards is known prior to the ceremony, the possibility of multiple recipients sharing the prize in some categories makes the exact number of Oscar statuettes awarded unpredictable. Extras are on hand for the occasion, and surplus awards are then stored in the Academy's vault until the next year's event. It takes three to four weeks to cast approximately 50 statuettes; each is done to exacting standards and handled with white gloves. Prior to 1949, the statuettes were not numbered, but since that year, starting with the somewhat arbitrary number 501, each Oscar statuette has worn his serial number inscribed behind his heels. Honorary awards have assumed other forms, - scrolls, medals or other designs chosen by the Board of Governors. The Honorary Juvenile Award (no longer presented) was a miniature statuette. A wooden Oscar statuette with a movable jaw was presented at the 10th Annual Awards to Edgar Bergen for his creation of Charlie McCarthy, and Walt Disney received an Oscar and seven miniature statuettes in 1938 when he was honored for Snow White and the Seven Dwarfs. Oscar is Hollywood's golden boy, coveted by members of the film industry as the ultimate tribute to talent. We, the movie audience, despite our annual protests about the length of the ceremonies, the often-lame acceptance speeches, and the ostentation, always seem to find ourselves glued to the television to discover who will have the honor of taking those shiny statuettes home.